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Winner of the Lexi Rudnitsky Poetry Prize   
Anne Shaw's impressive first collection, Undertow, is an exploration, in the key of doubt,
of all that moves beneath the surface of a cosmos riddled with light.
                                                                                                             -Carolyn Forchè


The poems in Undertow--luminous, clairvoyant, radiant--are spun as if from the finest silk,
their threads almost invisible, their tensile strength unimaginably strong. Few debuts
are as candid and uncanny, generous and fierce, or elaborate and distilled as Anne Shaw's
first book is.
                                                                                                                -Eric Pankey

Sample Poems

"Hymn" on Verse Daily

"Drag King Manifesto" from the Woodland Pattern archives

"Shibboleth" from the Woodland Pattern archives

 "Grief Street" and "Khao Lak Paradise Resort" from Drunken Boat No. 11


Purchase from Persea Books

Monstrosities

A documentary poem
exploring the history
of monstrosity
from Medieval times
to the present.


Finalist in the DIAGRAM
Hybrid Essay Contest


Click here to download



Monstrosities

Redbird
Twitter Poetry Project   

The project may be viewed as a long poem or series of interleaved short poems, written
via the website Twitter.com. The intent is to explore the intrusion of private thought into public space, the language of poetry rendered in real time across the technological and quotidian landscape.



Full Artist's Statement

Follow the project
                                         
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    Forthcoming

    Harvard Review. Excerpt from "Consumption." (Forthcoming).
    Massachusetts Review. "Harmonic." (Forthcoming).
   
Hotel Amerika. "On the Obsolescence of Prayer," "What To Ask For, How To See," and "could there be a kind of tether." (Forthcoming).
    Denver Quarterly, "Switch." (Forthcoming)

    Sonora Review, "planetarium." (Forthcoming).
    New American Writing, "Apologia," and "Pidgin," (Forthcoming).
    American Letters & Commentary, "Seven Immi(a)nent." (Forthcoming).


   Recent

    Indiana Review. "And After." (33.2, Winter 2011).
    Vinyl Poetry
. "Raveling," and In Motion." (Volume 4).

    Crab Orchard Review. "Self Portrait as Dido," "Bougainvillea." (Vol. 16, No.1)
    Inter | rupture. "Night in the Formal Garden" and "Forage." (Issue 2, 2011).
    Horse Less Review. "Airplane Poem." (No. 9, 2011).
    Columbia: A Journal of Literature and Art. "Ransom." (No. 49, 2011).
    Literary Imagination. "Voyeurism." (2011).
    We Are So Happy to Know Something. "Afternoon Traffic and Weather." (Issue 2).
    Artifice. "Wind Advisory." (Issue 3).  
    Meridian. "Annunciation," "This Hope." (Issue 26, January 2011).
    ExpressMilwaukee.com. "City You Won't Come Back To." (February 6, 2011).
    Copper Nickel. "[bone in, bone out]," "[ghost river]" (15).
    Barrow Street. "What She Sees When She Hushes." (Fall / Winter 2010).
    Verse Daily,  "City You Won't Come Back To."
    New Orleans Review.
"City You Won't Come Back To." (Vol. 36, No 1).